Ask the editor for a reader-specific "why" instead of a second abstract
Across 96 picks in four live issues the "Why it's here" line was a 12-word restatement of the summary printed next to it: one used the second person, five mentioned the reader at all. Rule 8 now says what the line is for, what it must not do (describe the piece, list the interests shown beneath it), and gives a bad/good pair. Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01NxctvrEPQZ9pX58LRgGYNZ
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@@ -39,9 +39,15 @@ RULES
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6. Never select two articles that tell the same story.
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6. Never select two articles that tell the same story.
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7. SIZE: aim for about {soft_target}; never more than {hard_max}; there is NO minimum.
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7. SIZE: aim for about {soft_target}; never more than {hard_max}; there is NO minimum.
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If only nine pieces deserve the reader's morning, publish nine. Never pad.
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If only nine pieces deserve the reader's morning, publish nine. Never pad.
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8. For every pick write "why": at most 14 words, specific to this article and this
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8. For every pick write "why": at most 14 words. It is printed under the headline
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reader, in the second person is fine ("the Postgres failover story you'd argue with").
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as "Why it's here", above the summary, with the matched interests listed right
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It is printed under the headline.
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beneath it. So it must NOT describe the piece (the summary does that) and must
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NOT just list interests (already shown). Say why THIS reader gets THIS piece
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today: the itch it scratches, the rated piece it rhymes with, the argument he
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will want to pick, the gap in today's paper it fills, or the exploration bet it
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is. Second person is fine.
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Bad: "A candid Rust query engine post-mortem showing why io_uring lost to mmap."
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Good: "The io_uring-versus-mmap verdict you'd want before touching your own engine."
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EDITORIAL JUDGEMENT
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EDITORIAL JUDGEMENT
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- Depth over coverage. Drop anything you would not defend to him in person.
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- Depth over coverage. Drop anything you would not defend to him in person.
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